Wednesday, May 20, 2009

Sir Laurence Olivier

By Fran Rosen. On May 22, 1907, Sir Laurence Olivier was born when Jupiter was three minutes from an exact conjunction to Neptune at 10º of Cancer. Although Sir Laurence is known mainly as a world renowned actor, he was also a producer and director. As an actor, he relied upon his emotions to create believable characters, and with Jupiter and Neptune in the same degree of the emotional sign of Cancer, Sir Laurence was a master at creating intensely emotional portrayals. It is hard to forget the tormented longing of Heathcliff in Wuthering Heights, the anger of Hamlet or Mr. Darcy’s anguished but repressed emotion during the scene with Elizabeth in Pride and Prejudice when he poorly expresses his love for her and is soundly rejected. Additionally, Sir Laurence was born with three planets, including the ruler of his chart (Mercury), in the 12th house, which also gave him the ability to tap into hidden reserves of emotion to portray characters on the stage and screen.

One of the things Sir Laurence is known for is as a founder of the Old Vic Theater in 1944 in London, which presented classical theater until 1949. He is also known for his classical Shakespearean roles. Those and other career choices were influenced by an opposition of his Jupiter/Neptune conjunction to a Mars/Uranus conjunction in the sign of Capricorn, with Uranus also ruling his 10th house of career. This Capricorn Mars/Uranus conjunction was ruled by his Saturn in Pisces, not necessarily an easy placement for the expression of emotion, but an indication that he built the structure of his life through the understanding of suffering and compassion. The sign Capricorn is representative of the desire to be socially acceptable and to gain recognition through working hard and never quitting. This sign moves one to act in ways that normally bring recognition through conformity, but Sir Laurence achieved that goal by doing it his way, which brings to mind Frank Sinatra’s song “My Way.” Being an actor is never a socially acceptable profession, but Sir Laurence was involved with classical theater and was knighted by the Queen, the epitome of social conformity and proof of the perfection of his art. A person with a Mars/Uranus conjunction in another sign would probably not have been knighted, or may have refused it, but it was important to his Capricorn planets to be recognized by the establishment and to accomplish his professional goals. Although he achieved the acceptance of high society by being knighted by the Queen, it may be that as a consequence of his need to do things his own way (which is also shown by his Sun and Mercury in the sign of Taurus), and the fact that he felt for a long time that films were inferior to the theater, and looked down his nose at method actors, that he was nominated for 11 Oscars, but won only once as Best Actor for Hamlet in 1948. He was, however, honored with numerous other awards, both British and American, as well as several Golden Globe awards, and an honorary Oscar in 1979 for his contribution to film. The placement of Pluto in his angular first house, the Jupiter/Neptune conjunction in his second house (involving his personal values with what characters he would portray or plays he would produce or direct), and his Mars/Uranus conjunction in the emotionally controlling and intense 8th house all added to his need to be in control of his career and for it to be financially profitable. These placements also added to his depth as a performer, as Pluto in the first house and planets in the 8th house demand that nothing be superficial, so every performance he gave was felt by his audience to the depths of their being.

Although Sir Laurence died in 1989, his body of work is still alive, and he is still a measure of excellence for classical actors. I’m going to take some time on Friday and honor him by watching one of his movies.

(As an additional note about the current Jupiter/Neptune conjunction, Jupiter is right now within 30 minutes of a conjunction to Neptune in the sign of Aquarius, so the expansion of illusion in our daily lives has to do with humanitarian expression and idealism rather than with emotional expression and idealism. Children born this week will be emotionally detached from their idealism, but must guard against becoming mesmerized by humanitarian movements that promise extraordinary social benefits but only deliver illusion, as do all of us alive at this time. Some of these children may, however, eventually bring about the social changes of which we are now dreaming.)


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